![]() When he heard that I had just finished a translation of Madame Bovary, he said something like, “But Madame Bovary has already been translated. She was terrific as Jane Eyre in 2011, and among young actresses with a habit of playing 19th-century literary heroines - Keira Knightley and Carey Mulligan, for example - she has a special gift for making her characters feel at once bracingly modern and entirely of their own time, determined to act freely in circumstances that constrain them.Not long ago, I was chatting with an older friend who is a retired engineer and also something of a writer, but not of fiction. ![]() Wasikowska, an actress who is frequently more interesting than her material. What wildness there is in this “Madame Bovary” belongs to Ms. Otherwise, the film is doggedly, dutifully faithful to its source, which is a little odd given the importance of infidelity in the story. This is a shortcut to emotions that the film does little to earn, and it also warps the implacable, deliberate linearity of Flaubert’s narrative. Barthes uses the familiar movie device of signaling the end in the very first scene and rendering nearly everything else that happens as a flashback. It might be spoiling Flaubert’s novel to note she dies at the end, but Ms. The movie goes through the motions, tracking Emma’s growing boredom, her reckless flights of passion and her eventual undoing.
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